Vincent van Gogh Mulberry Tree painting

Vincent van Gogh Mulberry Tree paintingVincent van Gogh Bedroom Arles paintingVincent van Gogh Almond Branches in Bloom painting
was meant to signify, how he could proceed to identify her, or what he might have to gain or lose by learning her name.His fright had been diluted by the calming effect of the woman’s face in the photograph, but when he lifted his gaze from the picture to the evergreen, fear concentrated in him again. Something moved in the tree.Not branch to branch, not of the tree, cascading down another.Less bright, murkier than the silver decorations, the red were mirrors, too. The same pulsing shadow traveled through those candy-apple curves and ruby planes, inevitably suggesting the spurt and flow of blood.Fric sensed that what stalked him now—if in fact anything lurking in the green shadows of the boughs: Instead, this movement manifested in the ornaments. Each silver ball, silver trumpet, silver pendant was a three-dimensional mirror. A formless shadowy reflection flowed across those curved and shiny surfaces, back and forth, up the tree, and down.Only something flying around the rotunda, repeatedly approaching and retreating from the glittering tree, could possibly have cast such a reflection. No great bird, no bat with wings the size of flags, no [291] Christmas angel, no Moloch plied this air, however, and so it seemed that the swooping darkness flowed within the ornaments, rippling up one flank