Tuesday, 4 November 2008

Vincent van Gogh Tree and Man painting

Vincent van Gogh Tree and Man paintingVincent van Gogh In the Jardin du Luxembourg paintingVincent van Gogh Houses at Auvers painting
highest mountains in the world, in ascending order, with her mountain, _the_ mountain bringing up the rear. She was trying to work out how the icebergs had managed to pass under the bridges across the river when the mist thickened, and then, a few instants later, dissolved entirely, taking the icebergs with it. "But they were there," she insisted to Gibreel. "Nanga Parbat, Dhaulagiri, Xixabangma Feng." .He didn't argue. "If you say it, then I know it truly was so."
An iceberg is water striving to be land; a mountain, especially a Himalaya, especially Everest, is land's attempt to metamorphose into sky; it is grounded flight, the earth mutated -- nearly -- into air, and become, in the true sense, exalted. Long before she ever encountered the mountain, Allie was aware of its brooding presence in her soul. Her apartment was full of Himalayas. ReEverest in cork, in plastic, in tile, stone, acrylics, brick jostled for space; there was even one sculpted entirely out of ice, a tiny berg

No comments: