Friday, 31 October 2008
Edward Hopper Room in New York painting
possibility that you might be laughed at or humiliated, but the truth is that it’s equally likely that others won’t even notice your mistake. Our imagination about what could happen is usually worse than the reality of what does happen. 4. Start with something small. If making a telephone cold call for your freelance seems too daunting, try something easier first. Maybe you could make a phone call to an established client who is satisfied with your work. After that success, the cold call may not seem as scary. 5. Remember on past successes. Whether it is making a successful or successfully completing a cold call, remembering past successes can help inspire you to future success. These successes are “proof” that you can do it. If you succeeded in the past, then you can succeed again!
6. Don’t be afraid to ask for additional help. For whatever reason, sometimes the fear may
Thursday, 30 October 2008
Vincent van Gogh Still Life with irises painting
There was a telephone extension on his bedside table. There, he admonished himself. Pick it up, dial, and your equilibrium will be restored. Such maunderings: they aren't like you, not worthy of you. Think of her grief; call her now.
It was night-time. He didn't know the hour. There wasn't a clock in the room and his wristwatch had disappeared somewhere along the line. Should he shouldn't he? -- He dialled the nine numbers. A man's voice answered on the fourth ring.
"What the hell?" Sleepy, unidentifiable, familiar. Gerald Green (Dallas Mavericks): I was waiting for him to have a bust-out season last time around in Minnesota. Well, things did not really go according to plan. The Wolves were loaded with players filling the same position but far more developed than Gerald’s raw game. Why should he manage to make a mark in Dallas? Every team Gerald has played for has praised him, meaning the kid has the right kind of attitude.
"Sorry," Saladin Chamcha said. "Excuse, please. Wrong number."
William Bouguereau The Nut Gatherers painting
bed_.
He recognizes Hind's voice, sits up, and finds himself naked beneath the creamy sheet. He calls to her: "Was I attacked?" Hind turns to him, smiling her Hind smile. "Attacked?" she mimics him, and claps her hands for breakfast. Minions enter, bring, serve, remove, scurry off. Mahound is helped into a silken robe of black and gold; Hind, exaggeratedly, averts her eyes. "My head," he asks again. "Was I question she shakes her head and leans heavily on the cool wall beside her stone-screened window. While below her, her husband walks in pentagons, parallelograms, six--pointed stars, and then in abstract and increasingly labyrinthinc patterns for which there are no names, as though unable to find a simple line.
When she looks into but the females are merely goods. Men had either been afraid of her, or had thought her so strong that she didn't need their consideration. He hadn't been afraid, and had given her the feeling of constancy she needed. While
John William Waterhouse Waterhouse Ophelia painting
After the repudiation of the Satanic verses, the Prophet Mahound returns find a kind of punishment awaiting him. A kind of vengeance -- whose? Light or dark? Goodguy badguy? -- wrought, as is not unusual, upon the innocent. The Prophet's wife, seventy years old, sits by the foot of a stone--latticed window, sits upright with her back to the wall, dead.
Mahound in the grip of his misery keeps himself to himself, hardly says a word for weeks. The Grandee of Jahilia institutes a policy of persecution that advances too slowly for Hind. The name of the new religion is _Submission_; now Abu Simbel decrees that its adherents must submit to being sequestered in the most wretched, hovel-filled quarter of the city; to a curfew; to a ban on employment. And there are many physical assaults, women spat upon in shops, the manhandling of the faithful by the gangs of young turks whom the Grandee secretly controls, fire thrown at night through a window to land amongst unwary sleepers. And, by one of the familiar paradoxes of history
Tuesday, 28 October 2008
Thomas Kinkade HOMETOWN MEMORIES painting
fiercely. "Makes me sick."
After the first days Chamcha no longer noticed Gibreel's bad breath, because nobody in that world of sweat and apprehension was smelling any better. But his face was impossible to ignore, as the great purple welts of his wakefulness spread outwards like oil--slicks from his eyes. Then at last his resistance ended and he collapsed on to Saladin's shoulder and slept for four days without waking once.
When he returned to his senses he found that Chamcha, with the help of the mouse-like, goateed hostage, a certain Jalandri, had moved him to an empty row of seats in the centre block. He went to the toilet to urinate for eleven minutes and returned with a look of real terror in his eyes. He sat down by Chamcha again, but wouldn't say a word. Two nights later, Chamcha heard him fighting, once again, against the onset of sleep. Or, as it turned out: of dreams.
Arthur Hughes La Belle Dame Sans Merci painting
By then five and a half years had passed since young Salahuddin, garlanded and warned, boarded a Douglas D C-8 and journeyed into the west. Ahead of him, England; beside him, his father, Changez Chamchawala; below him, and beauty. Like Nasreen, the future Saladin had never found it easy to cry.
On that first aeroplane he read fiction tales of interplanetary migration: Asimov's _Foundation_, Ray Bradbury's _Martian Chronicles_. He imagined the DC--8 was the mother ship, bearing the Chosen, the Elect of God and man, across unthinkable distances, travelling for generations, breeding eugenically, that their seed might one day take root somewhere in a brave new world beneath a yellow sun. He corrected himself: not the mother but the father ship, because there he was, after all, the great man, Abbu, Dad. Thirteen-year--old Salahuddin, setting aside recent doubts and grievances, entered once again his childish adoration of his father, because he had, had, had worshipped him, he was a great father until you started growing a mind of
Monday, 27 October 2008
Rembrandt History Painting painting
Wynona put in a good performance as one of history’s most famous horror heroines in Francis Ford Coppola’s take on the romance/horror novel. Having to act in love with the main vamp, as well as Keanu Reeves terrible take on Jonathan Harker. Although, she does get slightly outshined by fellow cast member and Mina's best friend, Sadie Frost as Lucy Westenra
‘Ginger Snaps’ is an amazing movie either way, but Katherine Isabelle really puts the spice in her Ginger, and turns the character from more than just a victim, but into a person. She’s not exactly a hero, but stands somewhere in the grey area, however without her delivery of comic timing and sassiness, the movie wouldn’t be half the masterpiece.
This was Adrienne King’s first movie role (as with most of the other actors) in this throw-off from the success of ‘Halloween,’ but King gives her all in the performance as Alice and manages to yank
Frank Dicksee La Belle Dame Sans Merci painting
I’m sure you’ve heard the saying before “do what you love and the money will follow.” It’s a very cliched and abused axiom. Sometimes the money does follow when you do what you love. Sometimes the magic works. But most of the time, it does not.
When translated into reality, the old saying usually turns into “do what you love and find a way to make it popular and the money follows.” Or “sell your soul and the money follows.“
On the other side of the problem is that if you’re going to make a living doing what you love, you have to find a way to market yourself. Things that are catchy, marketable, and popular are often out of alignment with what you really want to do.
Let’s take the example of the musician. Say his name is Joe. Now, Joe wants to make a living off of his Luckily, Joe was born with a lot of creative talent, so he doesn’t have to work very hard at that. But he wasn’t born with the technical ability to play guitar. So, he has to learn how to play. He works hard. He practices scales, fingering, melody and rhythm. He knows that he’s not going to magically wake up one day and
Friday, 24 October 2008
Rembrandt Christ and the Woman Taken in Adultery painting
street marked "Drusilla's Food", " Drusilla's Drink" and " Drusilla's Dowry", and nobody dared pass by the Guards posted there without dropping in a copper or two.
Caligula dearly loved his little Drusilla, who turned out as precocious a child as he had himself been. He took delight in teaching her his own "immovable rigour", beginning the lessons when she was only just able to walk and talk. He encouraged her to torture kittens and puppies and to fly with her sharp nails at the eyes of her little playmates. "There can be no reasonable doubt as to your paternity, my pretty one," be used to chuckle when she showed particular promise. And once in my presence he bent down and said slyly to her: "And the first full-sized murder you commit. Precious, if it's only your poor old grand-uncle Claudius, I'll make a Goddess of you."
"Will you make me a Goddess if I kill Mamma?" the little fiend lisped. "I hate Mamma."
Frederic Edwin Church Jerusalem from the Mount of Olives painting
defaming his character. Or if you thought that it was false and that he knew it was false, then you were as guilty of murder as he was, and cowards too." He frowned heavily in imitation of Tiberius and made Tiberius's sharp chopping motion of the hand, which brought back frightening memories of treason-trials, and said in Tiberius's harsh voice, "Well spoken, my Son! You can't trust any one of these curs farther than you can kick him. Look what a little God they made of Sejanus before they turned and tore him to pieces! They'll do the same to you if they get half a chance. They all hate you and pray for your death. My advice to you is, consult no interest but your own and put pleasure before everything. Nobody likes being ruled over, and the only way that I kept my place was by making this trash afraid of me. Do the same. The worse you treat them, the more they'll honour you."
Caligula then reintroduced treason as a capital crime, ordered his speech to be at once engraved on a bronze tablet and posted on the wall of the
Rembrandt Hendrickje Bathing in a River painting
they? If I must die, I must die, and that's all there is to it. Death is the common fate of all and at least I shall have the satisfaction of not outliving you."
Tiberius was not to be convinced, but soon Nerva was too weak to answer his questions: he died on the ninth day.
Thrasyllus died. His death was announced by a lizard. It was a very small lizard and ran across the stone table where Thrasyllus was at breakfast with Tiberius in the sun and straddled across his forefinger. Thrasyllus asked, "You have come to summon me, brother? I expected you at this very hour." Then turning to Tiberius he said: "My is at an end, Caesar, so farewell! I never told you a lie. You told me many. But beware when your lizard gives you a warning." He closed his eyes and a few moments later was dead.
Thursday, 23 October 2008
Frederic Edwin Church Cross in the Wilderness painting
the rabble abused it for three whole days. When the time came for it to be dragged to the Tiber with a hook through the throat, the skull had been carried off to the Public Baths and used as a ball, and there was only half the trunk left. The streets of Rome were littered, too, with the broken limbs of his innumerable statues.
His children by Apicata were put to death by decree. There was a boy who had come of age, and a boy under age, and the girl who had been betrothed to my son Drusillus-she was now fourteen years old. The boy under age could not legally be executed, so, following a Civil War precedent, they made him put on his manly-gown for the occasion. The girl being a virgin was still more strongly protected by law. There was no precedent for executing a virgin whose only crime was being her father's daughter. When she was carried off to prison she did not understand what was happening and called out: "Don't take me to prison! Whip me if you like and I won't do it again!" She apparently
Vincent van Gogh Wheat Field with Cypresses painting
monarchy had she not better poison Helen herself?
My mother sent for Pallas, who was working for me at the Library, looking up some historical point about the Etruscans, and told him to go to Sejanus and, in my name and as if sent by me, ask his permission to see Tiberius at Capri, in order to present him with my "History of Carthage". (I had just finished this work and sent a fair copy to my mother before having it published.) At Capri he was to beg the Emperor, in my name again, to accept the dedication of the work. Sejanus gave permission readily; he knew Pallas as one of our family slaves and suspected nothing. But in the twelfth volume of the history my mother had pasted Livilla's letters and a letter of her own in explanation, and told Pallas not to let anybody handle the volumes (which were all sealed up) but to give them to Tiberius with his own hands. He was to add to my supposed greetings and my request for permission to dedicate the book the following message: "The Lady Antonia, too, sends her devoted greetings, but is of opinion that these books by her son are of no interest at
Claude Monet Ice Thawing on the Seine painting
support any accusation against him with evidence that even a brow-beaten Senate could decently accept. In the end Cremutius was charged with having written in praise of Brutus and Cassius, the murderers of Julius Caesar. The evidence produced was an historical work which he had written thirty years before and which Augustus himself, Julius's adopted son, was known to have included in his private library and occasionally consulted.
Cremutius made a spirited defence against this absurd charge, saying that Brutus and Cassius had been dead so long and had been so frequently praised for their deed by subsequent historians that he could not believe that the trial was not a hoax-such a hoax as a young traveller recently suffered in the city of Larissa. This young man was publicly accused of having murdered three men, though they were no more than wineskins, hanging outside a -shop, which he had slashed at in the dark, mistaking them for robbers. But this Larissan trial had taken place on the annual festival of Laughter, which
Henri Rousseau Boy on the Rocks painting
Caligula. Caligula had in general only two ways of behaving: he was either insolent or servile. To Agrippina and my mother and myself and his brothers and Castor, for instance, he was insolent. To Sejanus and Tiberius and Livilla he was servile. But to Livia he was something else, difficult to express. He was almost like her lover. It was not the usual tender tie that binds little boys to indulgent grandmothers or great-grandmothers, though it is true that he once took great pains over a copy of affectionate verses for her seventy-fifth birthday and that she was always giving him presents. I mean that there was a strong impression of some unpleasant secret between them-but I don't mean to suggest that there was any indecent relationship between them. Agrippina felt this too, she told me, but could End out nothing definite about it.
One day I began to understand why Sejanus had been so polite to me. He suggested the betrothal of his daughter to my son Drusillus. My personal feelings against the marriage were that the girl, who seemed a nice little thing, was unlucky to be matched to Drusillus, who seemed more of a lubber every
Wednesday, 22 October 2008
Leonardo da Vinci The Last Supper painting
Thomas Gainsborough The Blue Boy painting
Leonardo da Vinci Mona Lisa Smile painting
issued them and now for the first time gave public notice of his displeasure by issuing a proclamation that all orders issued by Piso during his own absence in Egypt were hereby declared cancelled and that, until further notice, no order signed by Piso would be valid in the province unless endorsed by himself. He had hardly signed this proclamation when he fell ill. His stomach was so disordered that he could keep nothing down. He suspected that his food was being poisoned and took every possible precaution against this.
Agrippina prepared all his meals herself and none of the household staff had any opportunity of handling the food either before or after she cooked it. But it was some time before he was sufficiently recovered to leave his bed and sit propped in a chair. Hunger made his sense of smell abnormally acute and he said that there was a stench of death in the house. Nobody else smelt it and Agrippina at first dismissed the complaint as a sick fancy. But
Tuesday, 21 October 2008
Vincent van Gogh Cafe Terrace at Night painting
the past ten years, Marianne Williamson has lectured and led discussion groups across the United States and Europe. Her inspirational words have provided encouragement to thousands and brought solace to people with life-threatening illnesses. Frequently drawing on incidents from her own she has the extraordinary ability to reach women and men of all types. Young and old, rich and poor, and infirm, housewives and women, their husbands and lovers and children and parent - all have come to her with their frustrations and joys, for insights on spiritual wisdom and to share their experiences. At forty, Williamson is one of a generation of women who have been part of tremendous social upheavals and are now just beginning to fit the pieces together. Today women are confused. Some would like to have it all but are held back by their lack of either self-worth or a support system, as well as by historical prejudice. Others are afraid of asking for too much, afraid of losing love and respect if they appear too greedy. Williamson persuasively proposes that women must first examine their inner lives before
Thomas Kinkade A Peaceful Retreat painting
when my priestly functions demanded it, which was not often. You will ask about Urgulanilla. She never came to Capua; in Rome we had little to do with each other. She scarcely greeted me when we met and took no notice of me except, for appearances' sake, when guests were present; and we always slept apart. She seemed fond enough of our boy, Drusillus, but did little for him in any practical way. His bringing-up was left to my mother, who managed the household, and never called on Urgulanilla for any help. My mother treated Drusillus as if he were her own child, and somehow contrived to forget who his parents were. I never learned to like Drusillus myself; he was a surly, stolid, insolent child, and my mother scolded me so often in his presence that he learned to have no respect for me.
I don't know how Urgulanilla got through her days. But she never seemed bored and ate enormously and, so far as I know, entertained no secret lovers. This strange creature had one passion, though-Numantina, the wife of
Monday, 20 October 2008
Claude Monet Water Lily Pond painting
Claude Monet The Water Lily Pond painting
attempt to oppose this monstrous and unheard-of behaviour. He was set upon by a large party but instead of running away or begging for mercy rushed straight into the thick of them with his sword drawn, stabbing right and left, and broke through to the sacred tribunal-platform where he knew that no soldier would dare to touch him.
Gennanicus had no battalions of Guards to support him but rode at once to the mutinous camp with only a small staff behind him. He did not yet know of the massacre. The men surged about him in a mob, as they had done about their General, but Gennanicus calmly refused to say anything to them, until
Francisco de Goya Nude Maja painting
had formed up decently in companies and battalions under their proper banners so that he should know whom he was addressing. It seemed a small concession to authority, and they wanted to hear what he had to tell them. Once they were back in military formation a certain sense of discipline returned, and though by the murder of their officers they had put themselves
Philip Craig paintings
Paul McCormack
provinces were infinitely more prosperous than under the Republic, and further that the Home-provinces, which were governed by nominees of the Senate, were not nearly so well off as the frontier-provinces governed by Augustus's nominees. This comparison provided one of the few plausible arguments th
Patrick Devonas paintings
desert, because these tribes, men and women, fought with extraordinary desperation and only acknowledged defeat when fire, famine and plague had more than halved the population. When the rebel leaders came to Tiberius to treat for peace he questioned them closely. He wanted to know why they had taken it into their heads to revolt in the first instance and then to offer so desperate Capua to collect material for a similar dictionary of the Etruscan language from Aruns, the priest who had given me the information about Lars Porsena which
Caravaggio paintings
Claude Lorrain paintings
sure-fire recipe for a drop in self-confidence and for . It’s also not that useful.
Let’s say I take a look at someone who creates amazing artwork and really top-notch podcasts on their website … and I look at my art and video skills, and realize that I don’t come close to measuring up. In fact, I look pretty pitiful (I’m a lousy drawer and don’t know anything about video).
But wait a minute: it’s not a fair comparison. Just because I don’t measure up doesn’t mean I should get out of the blogging Business, or that I should get depressed or jealous or resentful. Instead, if I looked at my strengths — useful and honest posts — I can see that I have a lot to offer, a lot to be happy about.
And that’s so important — being able to look at your own strengths, and see your true value. It’s actually one of the keys to success, because without this ability, you will be unmotivated, and won’t believe in yourself.
I wanted to talk about this issue because of an email from a reader recently:
I come from a Tier-2 city of India. I belong to middle class family. My job also such that I can’t meet both my ends, if I get married and start a new family.
The problem is that I have got my teammates, who come from very affluent families. I can’t stop
Claude Monet paintings
Friday, 17 October 2008
William Bouguereau Innocence painting
wouldn't I give to see you in bed together on your wedding night! It would be the funniest scene since Deucalion's Flood!" "Camel and Elephant! That's a fine one!" cackled Urgulania. "Look at Tiberius Claudius's long neck and skinny body and long silly face. And my Urgulanilla's great feet and great flapping ears, and little pig-eyes! Ha, Ha, Ha, Ha! And what was their offspring? Giraffe? Ha, Ha, Ha, Ha!"
"And what happened particularly funny on that famous occasion, my dear?" asked Urgulania.
'"Why, don't you know? God destroyed the whole world with a flood, except Deucalion and his family, and a few animals that took refuge on the mountain tops. Haven't you read Aristophanes's Flood? It's my favourite play of his. The scene is laid on Mount Parnassus. Various animals are assembled, unfortunately only one of each kind, and each thinks himself the sole survivor of his species. So in order to replenish the earth somehow with animals they have to mate with one another in spite of moral scruples and obvious difficulties. The Camel is betrothed by Deucalion to the She-Elephant."
John Singer Sargent Atlantic Storm painting
starting point, I think, is reading through my latest bank statement and checking up on all the things I don’t understand, down to calling up and asking a teller about specific fees.6. Invest in Your Future
If you’re having some trouble in the working world, now might be the perfect time to head back to school overqualified. You don’t have to go all out and enlist back in school. In some cases, reading a book is more than enough effort to improve your career situation.and get that degree you always wanted. You can get bigger loans with better terms to live on for a few years — hopefully getting you through the worst parts of our current economic problems before going back on the job market. Brushing up on your skills (and learning new ones) can also be the difference between making enough money to make it through economic problems comfortably and having to take a job for which you are
Paul Gauguin Tahitian Village painting
if this problem is something we in the First World can help alleviate, what can you do as a person, right at this moment? Several things:products marked with “Fair Trade” and donate to organizations that are helping developing nations (United Students for Fair Trade). Support Train For Humanity (an initiative I’m involved in) which allows endurance athletes to use their training to raise money for humanitarian causes.
* Let your elected officials know: The policies outlined above (and more) can easily be enacted by our governments, with the proper political will. It’s just a matter of enough people letting elected officials know how important this is to the electorate, and voting accordingly. * Join together: It’s only if we unite that we will make progress. Join an organization such as the Global Call to Action Against Poverty and One.org so that you can help make these policies a reality. * Support organizations: Support Fair Trade companies by buying
Thursday, 16 October 2008
Pierre Auguste Renoir The Large Bathers painting
been Phoebe's father." He delayed his public appearance for a further fortnight. I well remember that dreadful month. We children were all, by Livia's orders, made to wear keep all the property that he had at any time made over to her. Augustus did not answer. He firmly believed that Tiberius's original coldness and cruelty to Julia, and the example of immorality he had given her, were responsible forAugustus each time bawling
As he fetched his head a crack, "Varus, Varus, General Varus,
Give me my three Eagles back!"
Lord Augustus from taking ship and visiting her. So it was easy for Livia to treat Julia with great revengefulness. She was not allowed wine, cosmetics, fine clothes or luxuries of any sort and her guard consisted of eunuchs and very old men. She was allowed
Gustav Klimt The Fulfillment (detail I) painting
tempo and melodic rhythms were faster than any of the sad selections, and the melodies had a general upward direction.
'Four of the sad songs were in minor keys and all had a slower beat and long melodic rhythms. For an infant to notice those differences is fascinating.'
Professor Flom believes this period of learning about emotion in sounds is 'a natural step before learning to talk'.
The report said: 'Infants' discrimination of music is important because music, like speech, is communicative and a basic function of music and speech is to express meaning through emotion.'
The results of the musical study will be published in the academic journal Infant Behavior and Development.
Wednesday, 15 October 2008
Joseph Mallord William Turner Fishermen at Sea painting
war. Triumphs, besides, are very bad for military discipline. Soldiers get drunk and out of hand and usually finish the day by breaking up the wine-shops and setting fire to the oil-shops and insulting the women and generally behaving as if Rome were the city they had conquered, not some miserable log hut encampment in Germany or sand-burrowed village in Morocco. After a triumph celebrated by a nephew of mine, whom I shall soon be telling you about, four hundred soldiers and nearly four thousand private citizens lost their lives one way and another-five big blocks of tenements in the prostitutes' quarter of the City were burned to the ground and three hundred wine-shops sacsed, besides any amount of other damage.
But I was on the subject of Cato the Censor. His manual of husbandry and household economy was made my spelling book and every tune I stumbled over a word I used to get two blows; one on my left ear for stupidity
Marc Chagall Paris Through the Window painting
mostly to say, "Get out of this room, child, I want to be in it." If she had occasion to scold me she never did so by word of mouth but sent a short, cold note. For example: "It has come to the knowledge of the Lady Livia that the boy Claudius has been wasting his time mooning about the Apollo Library. Until he can profit from the elementary text-books provided for him by his tutors it is absurd for him to meddle with the serious works on the Library shelves. Moreover his fidgeting disturbs genuine students. This practice must cease."
As for Augustus, though he never treated me with calculated cruelty, he disliked having me in the same room with him as much as my grandmother did. He was extraordinarily fond of little boys (remaining to the end of his life an overgrown boy himself), but only of the sort that he called "fine manly little fellows", such as my brother Gennanicus and his grandchildren. Gains and Lucius, who were all extremely good-looking. There were a number
Jennifer Garant Bathing Lady painting
was not dissatisfied. He was the only one who suspected her of being a poisoner, and would obviously keep his suspicions to himself. She had lived down the scandal of her marriage with Augustus and was now quoted in the City as an example of virtue in its strictest and most disagreeable form. The Senate voted that four statues of her should be set up in various public places; this was by way of consoling her for her loss. They also enrolled her by a legal fiction among the "Mothers of Three Children". Mothers of three or more children had special privileges under Augustus's legislation, particularly as legatees-spinsters and barren women were not allowed to benefit under wills at all and their loss was the gain of their fruitful sisters.
Claudius, you tedious old fellow, here you have come to within an inch or two of the end of the fourth roll of your autobiography and you haven't even reached your birthplace! Put it down at once or you'll never reach even
Tuesday, 14 October 2008
Sir Lawrence Alma-Tadema A Harvest Festival painting
overhear conversations that she was thought too young to understand. I believe my account true and will continue to do so until it is supplanted by one that fits the facts equally well. To my way of thinking, the Sibyl's verse about "wife, no wife" confirms the matter. No, I cannot close the matter here. In writing this passage, with the idea, I suppose, of shielding Augustus's good name, I have been holding something back which I shall now after all set down. Because, as the proverb says, "truth helps the story on". It is this. My grandmother Livia ingeniously consolidated her hold on Augustus by secretly giving him, of her own accord, beautiful young women to sleep with whenever she noticed that passion made him restless. That she arranged this for him, and without a word said beforehand or afterwards, forbearing from the jealousy that, as a wife, he was convinced that she must feel; that everything was
Juan Gris The Guitar painting
Juan Gris Man in the Cafe painting
Juan Gris Breakfast painting
grandson, still of the same name, who never bore any public dignity and who deserved none. Augustus made him my tutor and afterwards schoolmaster to other young Roman noblemen and sons of foreign kings, for though his name entitled him to a position of the highest dignity, his severe, stupid, pedantic nature qualified him for nothing better than that of elementary schoolmaster.
To fix the date to which these events belong I can do no better, I think, than to say that my birth occurred in the 744th year after the foundation of Rome by Romulus, and in the 767 year after the First Olympiad, and that the Emperor Augustus, whose name is unlikely to perish even in nineteen hundred years of history, had by then been ruling for twenty years.
Before I close this introductory chapter I have something more to add about the Sibyl and her prophecies. I have already said that, at Cumae, when one Sibyl dies another succeeds, but that s
William Bouguereau The Two Sisters painting
Suetonius in his Twelve Caesars refers to Claudius's histories as written "ineptly" rather than "inelegantly". Yet it certain passages of the present work are not only ineptly written but somewhat inelegantly too-the sentences painfully constructed and the digressions awkwardly placed- this is not out of keeping with Claudius's literary style as exhibited in his Latin speech about the Aeduan franchise, fragments of which survive. The speech is, indeed, thickly strewn with inelegancies of this sort, but then it is probably a transcription of the official shorthand record of Claudius's exact words to the Senate-the speech of a tired man conscientiously extemporizing oratory from a paper of rough notes. I, Claudius is a conversational piece of writing as Greek, indeed, is a far more conversational language than Latin. Claudius's recently discovered Greek letter to the Alexandrians, which may however be partly the work of an imperial secretary, reads much more easily than the Aeduan speech.
Monday, 13 October 2008
Thomas Kinkade Light of Freedom painting
perform an unspecified task (“Let’s see, I guess I’ll work on that spreadsheet for a while”) give yourself a limited amount of time to work on a clearly defined task (“Now I’ll enter the figures from last months sales report into the spreadsheet for an hour”). Giving yourself a deadline, even an artificial one, helps build a sense of urgency and also offers the promise of time to “screw around” later, once more important things are done.
For larger projects, planning plays a huge role in whether or not you’ll spend too much time procrastinating to reach the end reasonably quickly. A good plan not only lists the steps you have to take to reach the end, but takes into account the resources, knowledge and inputs from other people you’re going to need to perform those steps. Instead of futzing around doing nothing because you don’t have last month’s sales report, getting the report should be a step in the project. Otherwise, you’ll spend time
Sunday, 12 October 2008
Caravaggio Narcissus painting
It’s all right, Andrew,” his mother whispered. “Open the door. Tell them we’ll be in, in just a minute.” And she drew the children more deeply into the hallway, where they could not be seen through either door, and whispered to Walter Starr, “Papa is in the Green Room, and Mama. Thank you, Walter.”
“Don’t you think of it,” Walter said, as he passed her; and his hand hovered near her shoulder, and he went quietly through the door into the dining room.
“Now, children,” their mother said, lowering her face above them. “We’re all going in to see Daddy, just once more. But we won’t be able to stay, we can just look for a moment. And then you’ll see your Grandma Follet, just for a minute. And then Mr. Starr will take you down again to his house and Mother will see you again later this afternoon.”
Andrew came toward her and nodded sharply.
Friday, 10 October 2008
Thomas Kinkade New Horizons painting
wave but why wasn’t he right here now where she wanted him to be and why didn’t he come home? Ever any more. He won’t come home again ever any more. Won’t come home again ever. But he will, though, because it’s home. But why’s he not here? He’s up seeing Grampa Follet. Grampa Follet is very, very sick. But Mama didn’t feel awful then, she feels awful now. But why didn’t he come back when she said he would? He went to heaven and now Catherine could remember about heaven; that’s where God lives, way up in the sky. Why’d he do that? God took him there. But why’d he go there and not come home like Mama said? Last night Mama said he was coming home last night. We could even wait up a while and when he didn’t and we had to go to bed she promised he would come if we went to sleep and she promised he’d be here at breakfast time and now it’s breakfast time and she says he won’t come ever any more. Now her Aunt Hannah folded her
Thursday, 9 October 2008
Georges Seurat Sunday Afternoon on the Island of la Grande Jatte painting
the open door into their bedroom; then brought up short in dismay, for his father was not there. But his mother lay there, propped up on two pillows as if she were sick. She looked sick, or very tired, and in her eyes she seemed to be afraid of him. Her face was full of little lines he had never seen before; they were as small as the lines in her mended best teacup. She put out her arms towards him and made in odd, kind noise. “Where’s Daddy?” he shouted imperiously ignoring her arms. “Daddy—isn’t here yet,” she told him, in a voice like hot ashes, and her arms sank down along the sheet.
“Where is he, then!” he demanded, in angry disappointment, but she thrust through these words with her own: “Go wake—little Catherine and bring her straight here,” she said in a voice which puzzled him; “there’s something I must tell you both together.”
He was darting his eyes everywhere for clues of his father. clothes? watch? tobacco? nightshirt? “Right away,” she said, in a desperate voice.
Startled by its mysterious rebuke, and uneasy in his stomach because she
Francisco de Goya Nude Maja painting
even trying to convince you. But while you’re being so rational, why at least please be rational enough to realize that we experienced what we experienced.”
“The least I can do is accept the fact that three people had a hallucination, and honor their belief in it. That I can do, too, I guess. I believe you, for yourself, Hannah. All of you. I’d have to have the same hallucination myself to be convinced. And even then I’d have my doubts.”
“What on earth do you mean, doubts, Papa, if you had it yourself?”
“I’d suspect it was just a hallucination.”
“Oh, good Lord! You’ve got it going and coming, haven’t you!”
“Is this a dagger that I see before me? Wasn’t, you know. But you could never convince Macbeth it wasn’t.”
“Andrew,” Mary broke in, “tell Mama. She’s just dying to know what we’re ...” she trailed off. I must be out of my mind, she said to herself. Dying! And she began to think with astonishment and disgust of the way they had all been talking—herself most
Wednesday, 8 October 2008
Gustave Courbet Plage de Normandie painting
you start to die. That’s all.” Watching her eyes, he felt fear for her and said, “I imagine you’re thinking about your religion.”
“I am.” she said, with a certain cool pride.
“Well, more power to you,” he said. “I know you’ve got a kind of help I could never have. Only one thing: take the greatest kind of care you don’t just—crawl into it like a hole and hide in it.”
“I’ll take care,” she said.
She means there is nothing I can tell her about that, he thought; and she is right.
“Talk to Hannah about it,” he said.
“I will, Papa.”
“One other thing.”
“Yes?”
“There are going to be financial difficulties. We’ll see just what, and just how to settle them, course of time. I just want to take that worry off your hands. Don’t worry. We’ll work that out.”
“Bless you, Papa.”
Tuesday, 7 October 2008
Thomas Kinkade Mountain Memories painting
That we simply have to wait to find out,” she said.
“Of course we have,” Mary cried angrily. “That’s what’s so unbearable!” She drank half her tea at a gulp; it burned her painfully but she scarcely noticed. She continued to glare at her aunt.
Hannah could think of nothing to say.
“I’m sorry,” Mary said. “You’re perfectly right. I’ve just got to hold myself together, that’s all.”
“Never mind,” Hannah said, and they fell silent.
Hannah knew that silence must itself be virtually unbearable for Mary, and that it would bring her face to face with likelihoods still harder to endure. But she has to, she told herself; and the sooner the better. But she found that she herself could not bear to be present, and say nothing which might in some degree protect, and postpone. She was about to speak when Mary burst out: “In heaven’s name, why didn’t I ask him! Why didn’t I? Didn’t I care?”
“It was so sudden.” Hannah said. “It was such a shock.”
Rembrandt Susanna and the Elders painting
Rembrandt Susanna and the Elders painting
Rembrandt History Painting painting
Jean Auguste Dominique Ingres Perseus and Andromeda painting
She left the pillows as they were, and turned down the bed on that side, next to the window, and smoothed it. She carefully refolded the second blanket and laid it on the lower foot of the bed, no, it would bother his poor feet. She hung it over the footboard. She stood looking at the carefully made bed, and, for a few seconds, she was not sure where she was or why she was doing this. Then she remembered and said, “oh,” in a small, stupefied, soft voice. She opened the window, top and bottom, and when the curtains billowed she tied them back more tightly. She went to the hall closet and brought out the bedpan and rinsed and dried it and put it under the bed. She went to the chest and took out the thermometer, shook it, washed it in cool water, dried it, and put it beside the bed in a tumbler of water. She saw that the hand towel which covered this table was dusty, and threw it into the dirty-clothes hamper, and replaced it with a fresh one, and replaced
Francisco de Goya Nude Maja painting
yet it stayed, hurting him like a burr. He felt it was no time for resentments, though; not only he, but Sally as well, must come to their help, must be there (Sally’d never forgive me if she wasn’t) if Paw was to die (she’d be the only wife there, of the only son; his mother would never forget that). He rushed back and told her what was happening as he hurried into his clothes, hurried two doors away, banged loudly on the Felts’s door, and apologized for the banging by explaining (his voice was already damp) that his Paw was at death’s door if not already passed on, and he wouldn’t have roused them only he knew they would be only too willing to help out so Sally could go too. They were very kind to him; Mrs. Felts arrived before Sally had finished fixing her hair. While she was doing so, Ralph sped across the street to his office, unlocked his desk, and took two choking swallows of whiskey in the dark. He rammed the bottle into his pocket and hurried down to start his car. They had
Monday, 6 October 2008
Georges Seurat Sunday Afternoon on the Island of la Grande Jatte painting
similar predicament, but the contagion of laughter was too much for him, and he laughed too. And then it was even funnier when Charlie very carefully got himself up from the sidewalk, with that sickly look even worse on his face, and put his cane under one arm, and began to pick at his pants, front and back, very carefully, with his little fingers crooked, as if it were too dirty to touch, picking the sticky cloth away from his skin. Then he reached behind him and took out the wet bag of broken eggs and opened it and peered in; and took out a broken egg and pulled the shell disgustedly apart, letting the elastic yolk slump from one half shell into the other, and dropped it, shuddering. Then he peered in again and fished out a whole egg, all slimy with broken yolk, and polished it off carefully on his sleeve, and looked at it, and wrapped it in his dirty handkerchief, and put it carefully into the vest pocket of his little coat. Then he whipped out his cane from under his armpit and took command of it again, and with a final look at everybody, still sickly but at the same time cheerful, shrugged his shoulders and turned his back and scraped backward with his big shoes at
John William Godward Absence Makes the Heart Grow Fonder painting
necessary, and outlining can be an easy approach. Personally, I got away from outlining anything shorter than 1,500 words a long time ago. Instead, when I add a new project to my task list, I make a couple of notes about it:
* Expected word length * Exact topic * Who I might need to interview * Style (such as blog post or letter) * Due date
I’ve gone to some effort to make this note-taking process easy to manage. Since I already use Remember the Milk to manage a lot of my tasks, I’ve just taken to keeping these notes with the task themselves. I’ve made it a matter of key strokes to add a form to my notes that I can just fill in: since I use Firefox, I use the plugin Text Complete to allow me to just dump in the form quickly.
John Singer Sargent Chiron and Achilles painting
We all write, whether it is a text message on a Cell Phone, an email message or a novel, and we can all improve our writing. A good way to improve your writing is to read over what you have written and ask yourself these questions:
1. Does what I have written express exactly what I mean? 2. Will it be clear and comprehensible to the reader? 3. Can I make it more concise or more accurate?
We should look for superfluous words and sentences. Most of our digital photographs can be improved by cropping in order to focus on the subject. In exactly the same way, most of our written work can be improved by cutting out unnecessary or repetitive elements.
Children learn language by playing with words, testing, experimenting, making mistakes and being gently
Rene Magritte The Sea of Flames painting
Nanny Hawkins did not recognize me until I spoke, and my arrival threw her into some confusion; it was not until I had been sitting some time by her fireside that she recovered her old calm. She, who had changed so little in all the years I knew her, had lately become greatly aged. The changes of the last years had come too late in her to be accepted and understood; her sight was failing, she told me, and she could see only the coarsest needlework. Her speech, sharpened by years of gentle conversation, had reverted now to the soft, peasant tones of its origin.
‘...only myself here and the two girls and poor Father Membling who was blown up, not a roof to his head nor a stick of furniture till Julia took him in with the kind heart she’s got, and his nerves something shocking...Lady Brideshead, too, Marchmain it is now, who I ought by rights to call her Ladyship now, but it doesn’t come natural, it was the same with her
Caravaggio Lute Player painting
stream below; beyond, the path doubled back towards the house. We paused at the parapet looking down into the dark water.
‘I once had a governess who jumped off this bridge and drowned herself.’
‘Yes, I know.’
‘How could you know?’
‘It was the first thing I ever heard about you - before I ever met you.’
‘How very odd...’
‘Have you told Julia this about Sebastian?’
‘The substance of it; not quite as I told you. She never loved him, you know, as we do.’
‘Do’. The word reproached me; there was no past tense in Cordelia’s verb ‘to love’.
‘Poor Sebastian!’ I said. ‘It’s too pitiful. How will it end?’ ‘I think I can tell
Sunday, 5 October 2008
Thomas Kinkade Seaside Hideaway painting
Thomas Kinkade Pools of Serenity painting
Thomas Kinkade Peaceful Time painting
sort of work over here soon.’
Then she said: ‘Is it too late to see nanny?’
‘No, she sits up to all hours with her wireless.’
We went up, all three together, to the old nursery. Julia and I always spent part -of our day there. Nanny Hawkins and my father were two people who seemed impervious to change, neither an hour older than when I first knew them. A wireless set had now been added to Nanny Hawkins’ small -assembly of pleasures - the rosary, the Peerage with its neat brown-paper wrapping protecting the red and gold covers, the photographs, and souvenirs - on her table. When we broke it to her that Julia and I were to be married, she said: ‘Well, dear, I hope it’s all for the best,’ for it was not part of her religion to question the propriety of Julia’s actions.
Brideshead had never been a favourite with her; she greeted
Winslow Homer Rowing Home painting
Goodness. It sounds very disreputable. Have you been behaving, Charles? You haven’t been picking up sirens?’
‘There was scarcely a woman about. I spent most of the time with Julia.’ ‘Oh, good. I always wanted to bring you together. She’s one of my friends I knew you’d like. I expect you were a godsend to her. She’s had rather a gloomy time lately. I don’t expect she mentioned it, but...’ my wife proceeded to relate a current version of Julia’s journey to New York. ‘I’ll ask her to cocktails this morning,’ she concluded. Julia came among the others, and it was Happiness enough, now merely to be near her.
‘I hear you’ve been looking after my husband for me,’ my wife said.
‘Yes, we’ve become very matey. He and I and a man whose name we don’t know.’
Saturday, 4 October 2008
Thomas Kinkade Streams of Living Water painting
before Sammy came panting in and recaptured me. After that I didn’t get a minute out of sight; the Embassy staff put us in the boat to Piraeus and watched us sail away. But in Athens it was easy. I simply walked out of the Legation one day after lunch, changed my money at Cook’s, and asked about sailings to Alexandria just to fox Sammy, then went down to the port in a bus, found a sailor who spoke American, lay up with him till his ship sailed, and popped back to Constantinople, and that was that.
‘Anthony and the Jew boy shared a very nice, tumbledown house near the bazaars. I stayed there till it got too cold, then Anthony and I drifted south till we met Sammy by appointment in Syria three weeks ago.’
‘Didn’t Sammy mind?’
‘Oh, I think he quite enjoyed himself in his own ghastly way only of course there was no more high life for him. I think he was a bit anxious at first
Alphonse Maria Mucha Flirt painting
Cordelia,’ said Brideshead. ‘I’m taking that young horse of Julia’s, just to show him the hounds; I shan’t keep him out more than a couple of hours.’ ‘Rex is arriving some time,’ said Julia. ‘I’d better stay in to greet him.’
‘Where’s the meet?’ said Sebastian suddenly.
‘Just here at Flyte St Mary.’
‘Then I’d like to hunt, please, if there’s anything for me.’ ‘Of course. That’s delightful. I’d have asked you, only you always used to complain so of being made to go out. You can have Tinkerbell. She’s been going very nicely this season.’
Everyone was suddenly pleased that Sebastian wanted to hunt; it seemed to undo some of the mischief of the evening. Brideshead rang the bell for whisky. ‘Anyone else want any?’
Francois Boucher The Rest on the Flight into Egypt painting
Sammy?’ ‘That was the day you were ill.’
‘I was ill,’ he repeated like an echo, ‘so I never should have got to wherever-it-was, should I, Sammy?’
‘Now this, Lady Marchmain, is the caravan at Aleppo in the courtyard of the inn. That’s our Armenian cook, Begedbian; that’s me on the pony; that’s the tent folded up; that’s a rather tiresome Kurd who would follow us about at the time...Here I am in Pontus, Ephesus, Trebizond, Krak-des-chevaliers, Samothrace, Batum - of course, I haven’t got them in chronological order yet.’
‘All guides and ruins and mules, ‘ said Cordelia. ‘Where’s Sebastian?’ ‘He,’ said Mr Samgrass, with a hint of triumph in his voice, as though he had expected the question and prepared the answer, ‘he held the camera. He became quite an expert as soon as he learned not to put his hand over the lens, didn’t you, Sebastian?’ There was no answer from the shadows. Mr Samgrass delved again into his pigskin satchel. ‘Here,’ he said, ‘is a group
Andrea Mantegna Presentation at the Temple painting
Of course I do. A hundred Sink Street.’
‘Where’s that?’
‘Just off Leicester Square. Better take the car.’
‘Why?’
‘Always better to have one’s own car on an occasion like this.’ We did not question this reasoning, and there lay our mistake. The car was in the forecourt of Marchmain House within a hundred yards of the hotel where we had been dancing. Mulcaster drove and, after some wandering, brought us safely to Sink Street. A commissionaire at one side of a dark doorway and a middle-aged man in evening dress on the other side of it, standing with his face to the wall cooling his forehead on the bricks, indicated our destination.
‘Keep out, you’ll be poisoned,’ said the middle-aged man.
‘Members?’ said the commissionaire.
‘The name is Mulcaster, ‘ said Mulcaster. ‘Viscount Mulcaster.’
‘Well, try inside,’ said the commissionaire.